High Output Power: Features Class-D amplifier technology capable of operating at 2 x 800 Watts stereo (at 4 Ohms) or 1600 Watts in bridged mono mode. This allows for both powerful and efficient performance, generating less heat and being lightweight compared to traditional mixers.
Number of Channels: Offers a wide range of connection options with 20 channels. 12 of these are mono channels with high-quality XENYX microphone preamps, and 4 are stereo channels.
Built-in Effect Processors: Use 100 different studio-quality preset effects (reverb, chorus, flanger, delay, pitch shifter, and various multi-effects) thanks to the dual 24-bit stereo effect processor. These effects add depth and brightness to your live sound. Additionally, it offers the ability to use a foot pedal (not included) to switch effects during performances.
FBQ Feedback Detection System: Equipped with Behringer's proprietary FBQ Feedback Detection System and a 7-band stereo graphic EQ. This feature allows you to instantly detect and easily eliminate the frequencies causing feedback as the LED lights on the EQ sliders illuminate.
Flexible Operating Modes: You can switch between standard stereo (main L/R), dual mono (main/monitor), or bridged mono amp operating modes. The dual mono mode, in particular, is quite handy for working with passive stage monitors.
XENYX Microphone Preamps: 12 studio-quality XENYX microphone preamps offer ultra-low noise and high headroom. With +48V phantom power support, you can also use condenser microphones.
EQ and Filters per Channel: Includes effective 3-band EQ, selectable low-cut filter, and Clip LEDs for all mono channels.
Voice Canceller Feature: This feature provides an ideal use for karaoke applications by deactivating the vocals in music tracks.
Amplifier Class:Class-D technology. This technology offers higher efficiency, less heat generation, and a lighter design compared to traditional amplifiers. This makes the PMP6000 ideal for portability and long-term use.
Output Power (Maximum):
Stereo: 2 x 800 Watts @ 4 Ohms
Bridged Mono: 1600 Watts @ 8 Ohms
Output Power (RMS @ 1% THD):
Stereo: 2 x 600 Watts @ 4 Ohms
Stereo: 2 x 300 Watts @ 8 Ohms
Bridged Mono: 1200 Watts @ 8 Ohms
Load Impedance:
Main L/R (Stereo): 4 - 8 Ohms
Monitor/Main Mono: 4 - 8 Ohms
Main Mono/Main Mono: 4 - 8 Ohms
Bridged: 8 - 16 Ohms
Operating Modes: Selectable stereo (main L/R), dual mono (main/monitor), or bridged mono amplifier operating modes. This flexibility allows the mixer to be optimized for different sound setups and stage monitoring needs.
Number of Channels: Total 20 Channels
Mono Channels: 12 (with XLR and 1/4" TRS connections)
Stereo Channels: 4 (with Dual 1/4" TRS connections)
Microphone Preamps: 12 XENYX microphone preamps
Type: XLR, electronically balanced input circuitry
Phantom Power: +48V (switchable for condenser microphones)
EIN (Equivalent Input Noise - 20 Hz - 20 kHz):
@ 0 Ω Source Resistance: -134 dB / 136 dB A-weighted
@ 50 Ω Source Resistance: -131.5 dB / 134 dB A-weighted
@ 150 Ω Source Resistance: -129 dB / 155 dB A-weighted
Frequency Response: < 10 Hz - 200 kHz (-1 dB), < 10 Hz - > 200 kHz (-3 dB)
Gain Range: +10 dB to +60 dB
Maximum Input Level: +12 dBu @ +10 dB gain
Impedance: Approximately 2.6 kOhm balanced, 1.3 kOhm unbalanced
Signal-to-Noise Ratio: 109 dB / 112 dB A-weighted (0 dBu Input @ +10 dB Gain)
THD+N (Total Harmonic Distortion + Noise): 0.002% / 0.0018% A-weighted
Mono Line Inputs:
Type: 1/4" TS connectors, balanced
Impedance: Approximately 20 kOhm
Maximum Input Level: +21 dBu
Stereo Line Inputs:
Type: 1/4" TRS connectors, unbalanced
Impedance: > 3.6 kOhm
Maximum Input Level: +22 dBu
2-Track Input (CD/TAPE IN):
Type: RCA
Impedance: Approximately 3.6 kOhm
Channel EQs (Mono Channels):
3-Band EQ: Low, Mid, High
Low: 80 Hz / ±15 dB
Mid: 100 Hz - 8 kHz / ±15 dB (parametric mid-like broad range adjustment)
High: 12 kHz / ±15 dB
Low Cut Filter: Selectable (cuts low frequencies, reduces popping sounds on microphones).
Clip LEDs: Indicate signal overload on each channel.
Graphic EQ:
7-Band Stereo Graphic EQ: Provides precise frequency correction for Main or Monitor outputs.
FBQ Feedback Detection System: Visually displays critical frequencies causing feedback with bright LED lights on the EQ sliders, allowing for quick and effective feedback elimination.
Effect Processors: Dual 24-bit Stereo FX Processor
Number of Presets: 100 studio-quality presets (reverb, chorus, flanger, delay, pitch shifter, various multi-effects, etc.)
Converter: 24-bit Delta-Sigma, 64/128-fold oversampling
Dynamic Range (D/A): 90 dB
Sample Rate: 46.875 kHz
Delay Time: Max. 5 seconds
Signal Transition Time: Approximately 1.5 ms (Line In > Line Out)
XPQ 3D Stereo Surround Effect: Used to create a wider and more immersive sound stage.
Voice Canceller Function: Helps remove the singer's vocals from recordings for karaoke applications.
Speaker Outputs: Professional locking Speakon connectors.
Preamp Outputs (MAIN and MONITOR):
Type: 1/4" TRS connectors, unbalanced
Impedance: Approximately 150 Ohm, unbalanced
Maximum Output Level: +21 dBu
Aux Send (FX Sends): 2 (Post-fader FX, Pre-fader Monitor)
Aux Return (FX Returns): 2
Headphone Output: 1/4" TRS connector, unbalanced. Maximum Output Level: +21 dBu / 150 Ω (+25 dBm).
CD/Tape Output: RCA
Insert Points: Available (for external effects devices or compressors).
Footswitch Input: For external effect bypass control (FX1 and FX2 can be controlled independently with a dual footswitch).
Subwoofer Output (Mono Out): This feature on the PMP6000 allows sending low frequencies with a specific cutoff frequency to an external active subwoofer. The cutoff frequency can be adjusted between 30 Hz - 200 Hz.
Dimensions (H x W x D): Approximately 122 x 596 x 496 mm
Weight: Approximately 13.1 kg
Power Supply: Built-in switch-mode power supply. This ensures noise-free audio, superior transient response, and very low power consumption. Universal voltage support (100 – 240 V~, 50/60 Hz).
Power Consumption: 50 W